COSMOS Insider
Behind the Culture Scene
People, News, Views & Flux
We invite submissions to COSMOS Insider. We are interested in cultural news items, management press releases, forward publicity pieces, background feature articles, season schedules, and such. While well-founded rumors are of interest, please, no gossip or politics. Send your good stuff for consideration to: editor@capeanncosmos.com.
Elizabeth Noble, Poke Berry Season.
Martha Oaks, the newly appointed Henrietta Gates & Heaton Robertson Chief Curator at the Cape Ann Museum. Image Courtesy of the Cape Ann Museum.
Henrietta Gates & Heaton Robertson. Image Courtesy of the Cape Ann Museum.
DECEMBER 2024
Martha Oaks, Chief Curator at the Cape Ann Museum, Honored with Endowed Position
COSMOS congratulates Martha Oaks for her new appointment as the named and inaugural Henrietta Gates & Heaton Robertson Chief Curator at the Cape Ann Museum.
Endowment of the Chief Curator position represents the first named staff position at Cape Ann Museum. The funding is a result of the generosity of Henrietta Gates, the Museum’s Chair of the Board of Trustees, and Heaton Robertson, who “are inspired to recognize the excellent work that Martha Oaks has done and continues to do for the Museum and ensure that CAM will be able to attract and retain top talent for this critical role in the future.”
The Chief Curator role was originally created in 2020 in honor of Oak’s decades of commitment to stewarding the Museum’s art and history of Cape Ann, as a singularly unique place. Prior to 2020 Oaks served as Curator of the Museum from 2007 to 2019 and earlier from 1981 to 1990. In these capacities, Oaks has organized numerous exhibitions for artists including sculptors Walker Hancock and George Demetrios, and painters Marsden Hartley, Frank Duveneck, John Sloan, Milton Avery, Umberto Romano and Margaret Fitzhugh Browne. She has also curated numerous thematic exhibitions exploring topics including the history of the Rocky Neck and Rockport art colonies during the mid-20th century; women artists of Cape Ann; the Folly Cove Designers; the lure of the family-owned fishing vessel; and the architectural firm of Phillips & Holloran. Oaks has also worked with many contemporary artists and artisans, curating exhibitions for painters Jeff Weaver, Roger Martin, Judi Rotenberg and Charles Movalli; printmaker Don Gorvett; organ and harpsichord maker Jeremy Adams; and furniture maker Jay McLaughlan.
As Chief Curator, Oaks oversees the Museum’s Collections team and is responsible for the care, development and interpretation of the Museum’s extensive collection including its library and archives and four historic colonial structures. Oaks has contributed to Fitz Henry Lane On-Line, a digital resource and catalogue raisonné focusing on American marine artist Fitz Henry Lane; and is currently overseeing the digitization of the Museum’s collections. Oaks holds an M.A. in American and New England Studies from Boston University and a B.A. from Colby College.
NOVEMBER 2024
RAA&M National Juried Show 2024 – Gala & Awards Reception
The RAA&M National Show features artwork from artists across the country as well as from the Cape Ann region’s exceptionally talented artists, many of whom, as this photo captured, attended the Gala. Left to right: T. M. Nicholas (with partner), Susan Coviello (Executive Director of Cape Ann Plein Air), Susan Lynn, John Caggiano, Nella Lush (behind John), and Steve Lush.
During a recent Rockport evening, with November’s chilly winds and the barren sidewalks of the winter season, the galleries in the Rockport Art Association & Museum were a destination of warmth, mirth, and the glow of art. It was the RAA&M National Show’s Gala & Awards Reception night, when the works of 150 juried artists were staged for viewing with awards conferred. The generous purse of $18,000, acknowledged many categories, with a $5000 Grand Prize to best of show.
All of the artwork is now viewable online, RAAM National Juried Show 2024. As of this writing, the majority of the pieces are available for sale, and will be through December. The COSMOS Insider reports on a few of the standout prizes and artworks.
Congratulations to Meghan Weeks, who earned the top prize with her painting titled Open Door at the Alliance.
Meghan Weeks, with her Grand Prize painting: Open Door at the Alliance (Oil on linen panel, 16 x 20 in., $3,000). SOLD
Congratulations to The New England Experimental Art Group, founded by Nella Lush, as three of their artists received awards: Carolyn Latanision, Judy Schmid, and Liz Noble. It is wonderful to see recognition for these innovative artists!
Carolyn Latanision grew up near Bethlehem Steel and was given a lengthy tour of the facility before it was fully decommissioned. Using her trove of photographs and memories, she has produced a series of Bethlehem Steel paintings, now owned by collectors the world over. Pictured here with Blast Furnace Stove Air Valves, Bethlehem Steel (Watercolor, 21 x 21 in., $3,800).
Judy Schmid, Aberration (illuminated print, 28x 2 2 in., $1200).
Elizabeth Noble, Poke Berry Season (oil, 24 x 20 in. $1,950).
Mary Rose O’Connell, winning in the Marine category with Breaking Surf (oil, 24 x 24 in., $3,600).
Mary Rose was a traditional portrait and landscape artist until David Curtis, the late and legendary artist/teacher, invited her to come along with a group heading to a coastal venue to paint. She was dubious about whether it was her type of subject – but painting seascapes became her favorite, and one Mary Rose has a unique gift to capture.
And from Jeff Weaver, who once again has captured a uniquely Gloucester landscape, combining the city’s industrial and marine elements....
Jeff Weaver, Gorton’s Wharf (oil, 30 x 30 in. $10,800).
M/N Contemporary Art Gallery Closes
Left: Rebecca Nagle and Barbe Ennis, ceramicist. Right: Vanessa Michalak (in green dress) greets visitors to the gallery.
COSMOS expresses our deep gratitude to Vanessa Michalak and Rebecca Nagle, the two artist proprietors of the elegant M/N Contemporary Art Gallery, which alas, will be closing at the end of the year. Together they staged at least three shows of contemporary art, while also maintaining their own studio work, which they came to realize was their true calling. The M/N gallery was a bright, art beaming corner on Pleasant Street, and it will be missed. But all is not lost. We’ll see Vanessa and Rebecca, and their artwork, in the community and wherever their journeys continue.
Innovations in Flemish Masterworks
What to look for in PEM’s next exhibition: Saints, Sinners, Lovers, and Fools: 300 Years of Flemish Masterworks. December 14, 2024 – May 4, 2025.
Jacob Jordaens, Serenade (As the Old Folks Pipe, the Young Folks Sing) [detail], circa 1640–45. Oil on canvas. © The Phoebus Foundation, Antwerp.
A grand exhibition will soon open at Peabody Essex Museum. On the surface, the show might appear to be one of those historic parades of portraits, which can sometimes feel alien to our modern sensibilities. We tend to like our Art in the vanguard of progress, innovation, and often rebellion. Modern art movements often exist in opposition to predecessors, with critics and scholars debating the fine points of preferred aesthetics. But going back 500 years or more, these distant debates are not so obvious to modern art buffs. Readers, be aware – Saints & Sinners is an exhibition of artistic innovation and radical change, even though occurring so many centuries ago.
Here at COSMOS, now a recognized influencer type of media, we are on the distribution lists from the museum and gallery publicists, who sometimes offer copious, highly detailed, and insightful background information on new exhibitions in need of publicity.
We learned a lot when we carefully perused the press package for Saints, Sinners, Lovers, and Fools: 300 Years of Flemish Masterworks. As a service to our COSMOS Insider readers, we are summarizing the press package details describing why this artistic era existed in the ferment of radical change.
Time, Place, Works on Display
The exhibition features Flemish painters from the 15th to 17th centuries, a period of political turmoil but also a time of unprecedented prosperity given the trade routes through “Southern Netherlands”. Antwerp, on the river Scheldt, was the most important port in Northern Europe and a strategic hub for trade and finance. Major cosmopolitan Flemish cities, such as Bruges and Ghent, became home to Europe’s intellectual and business elite.
Global trade brought immense wealth to the region and fueled a booming commercial art market there, the first in European history.
The exhibition of approximately 130 works from The Phoebus Foundation and an additional 60 works from PEM’s collection reflects the global ambitions and interconnectedness of Europeans at the time. According to Karina H. Corrigan, PEM’s Associate Director–Collections and the H. A. Crosby Forbes Curator of Asian Export Art, who serves as the coordinating curator of the exhibition at PEM, “Saints, Sinners, Lovers, and Fools will transport visitors to this remarkable time in history and to explore the many ways Flemish art and culture has shaped the world we live in today.”
The Innovation
During the Renaissance, this region, known today as Flanders in Belgium, was renowned for the visionary artists who developed radically new ways to depict reality, portray humanity and tell stories with these emblematic characteristics:
Devotion in Church and Home Expensive religious paintings were commissioned by the Catholic churches, as many people in this era of wars and plagues were drawn to the promise of eternal life. But a novel development was people wanting to pray in the privacy of their own homes. Many prosperous Flemish people purchased paintings, sculptures, rosaries, and manuscripts for a more intimate form of devotion.
New Perspectives and Oil Paint Landscape and still life paintings emerged as new genres in the Southern Netherlands of the 1600s, but with an experimental approach to play with methods to enhance drama and/or intimacy. These painters also developed new techniques and formulas — developing what we know today simply as oil paint — that gave their works a sense of depth, richness, and luminosity.
Other Disciplines of Experimentation This period’s artistic excellence was not limited to painters. The Southern Netherlands also emerged as a vibrant center of experimentation for ever more curious scientists, engineers, physicians, botanists, cartographers, and humanists. In fact, commissioning an elaborate piece of furniture in the 1600s was much more costly than the average painting.
Portrait Commissions Expanded Prior to the 1600s, royalty and the aristocracy were the only ones who could afford to commission a painting of themselves. As a prosperous middle class emerged in Flanders in the 1600s, successful merchants, powerful politicians and influential scholars also began commissioning portraits. For these new art buyers, portraiture was a means of showing off their social status, constructing a sense of identity and building a legacy for future generations.
Fool in the Mirror Another section of the exhibition looks at human folly through a variety of works full of jokes and witty double meanings. These amusing paintings also offer a 17th-century cautionary tale: If you act like the fools and sinners portrayed, you might not get into heaven.
Pursuit of Wonder Tracking European global exploration and colonization, the exhibition also looks at the wider world of maps and scientific discoveries and the rise in popularity of rooms of wonder, or wünderkammer. Often referred to as cabinets of curiosities, these spaces reflected the owners’ wealth and connections as well as their desire to order and possess a microcosm of the world in miniature. The exhibition concludes with a space evoking one of these Flemish cabinets of wonder from the 1600s, filled with precious porcelain and lacquer, shells, stuffed specimens of animals (including an ostrich) and rare antiquities.
In conclusion, Corrigan adds, “Flemish artists working during this period produced paintings that are vibrant and beautiful, funny, and horrifying, poignant, and wondrous — these diverse works reflect the faith, ambitions, and curiosity of the Flemish people. The astonishing immediacy of these compositions continues to resonate with viewers more than 500 years after they were painted.”
Peter Paul Rubens and Paul de Vos, Diana Hunting with Her Nymphs, 1636–37. Oil on canvas. © The Phoebus Foundation, Antwerp.
COSMOS receives frequent news items from organizations and publicists, which do not fit into the editorial guidelines of our events newsletter, Cape Ann COSMOS.
Thus – the launch of our new page, the COSMOS Insider, for the News, Views, People & Flux happening behind the scenes.
We invite your submissions to COSMOS Insider. Cultural news items, press releases, awards, publicity pieces, management changes, season schedules, and such. While well-founded rumors are of interest, please, no gossip or politics. Send your good stuff for consideration to: editor@capeanncosmos.com.
OCTOBER 2024
Cape Ann Plein Air 2024 Winners
Cape Ann Plein Air 2024 has painted its way across the Cape Ann terrain, producing the freshest art obtainable during this season when the landscape is in its showy state of orange, fuschia, auburn, and other transient colors.
Left: Sam Allerton Green, Chance of Rain (1st place). Right: Sam Allerton Green congratulated by Susan Gould Coviello, CAPA Executive Director.
With a generous purse of near $20K many artists went home rewarded, with these being the three ribbon winners:
First Prize to Sam Allerton Green for Chance of Rain. Sam also received the Artists’ Choice award, an unprecedented distinction. He grew up in Providence, RI and studied painting at the Maryland Institute College of Art and the Pennsylvania Academy of the Fine Arts. “Much of my work is done en plein air, on site, in a single session...I spend so much of my time trying to swindle the natural world into showing me what is most important....I park my easel, brush in hand, like I am some paparazzi for mother earth.”
Martin Geiger, Swaying (2nd place).
Second Prize to Martin Geiger for Swaying. From Virginia, Martin is the son of two oil painters and received his undergraduate certificate at the Pennsylvania Academy of Fine Arts. To Geiger, the “world seems like an immense playground....with something very important just beneath the surface.”
David Lussier, Sea Breeze (3rd place).
Third Prize to David Lussier for Sea Breeze. David Lussier, from Somersworth, NH, is an award-winning contemporary impressionist and nationally recognized plein air painter and workshop instructor. “I am a painter in the purest sense of the word...there is a dialogue between myself and my subject matter as I apply paint to canvas....When I feel satisfied, I put the brushes down and hope that the viewer will feel satisfied too.”
Two local artists, Vanessa Michalak and Jeff Marshall, were participating in their first CAPA and both were victorious! Vanessa’s painting, Trapping, received an Honorable Mention and Jeff’s painting, Beacon Marine at Night, won the Best Abstract Painting award, a first time CAPA award made possible by the Alto family.
Meditations of an Artist:
Lamenting the Death of Courage
By Gordon Massman
Published in Radical Art ReviewMeditations of An Artist: Lamenting the Death of Courage (radicalartreview.org)
Maverick artist Gordon Massman can be found almost daily in his Gloucester Harbor studio, with the ocean waves hypnotically lapping against the dock a few feet away from where he relentlessly lays paint upon canvases. Gordon was/is always will also be a writer a poet, a man of both verbal narratives and visual instincts.
Kyle Browne Wins Best Director Award for Spirit Sensing: Anima of the Quarry
The Berlin International ShortFest has awarded Manship artist Kyle Browne Best Director for Spirit Sensing: Anima of the Quarry. The film is the result of a Manship Artists Residency, and more evidence that the once summer enclave of Paul Manship is now a successful crucible for new and emerging talent.
Spirit Sensing: Anima of the Quarry is a short film based on an intuitive performance by visual artist, Kyle Browne and musician, Stan Strickland at the Manship Artists Residency (MARS). Inspired by her belief in anima - that all nature has a spirit, the narrative is about a woman going for a peaceful row in the quarry, only to unexpectedly meet the quarry spirit. The film debuted with a live audience in October 2023, with the final short film steered by B-Roll Films and the artistic editing of Ken Kinna. Spirit Sensing has received 7 national and international awards and will be premiered in Vienna, Austria this fall.
Kim Smith Wins Best Eco Film Award for the Piping Plovers of Moonlight Bay
The dedication of Kim Smith and her Piping Plover ambassadors to the preservation of this species is generating some very fine documentary film. After the recent sold-out premiere at Shalin Liu, the Piping Plovers of Moonlight Bay has received the Best EcoFilm Award from the Boston Film Festival.
Kim reports that the film has been accepted at two festivals, in Toronto and Brookline, with applications submitted to many other festivals. The Plovers might be making their red carpet appearance in the future!
AUGUST 2024
CAM Futures
The news has spread through the Cape Ann cultural cognoscenti – Cape Ann Museum’s downtown location is closing on October 7. But fear not, an upgraded venue will reopen in 2026, with extensively renovated galleries and improved infrastructure. During the necessary shutdown on Pleasant Street, the Museum’s public epicenter will shift to their CAM Green campus, with continuous exhibitions cycling through the architectural elegance of the Janet & William Ellery James Center.
The CAM-150 Campaign is now underway to fund this epic reconfiguration and various upgrades to the museum’s operations. Why designated150? The campaign honors the 150th anniversary of the Museum’s founding in 1875, with the funded project to meet these objectives:
Revitalize the Downtown campus with world-class gallery space, to better showcase Cape Ann’s rich history, culture, and artistic traditions.
Expand the CAM Green campus to serve as a Cape Ann gateway for the community, as well as a resource for the collection’s care, storage, and access.
Amplify community and cross-generational engagement at both campuses, with K-12 education modules and general community discourse and engagement.
Fuel the growth of the Museum’s endowment, ensuring the efficacy of its collections, exhibits and programming for future generations.
The CAM-150 Campaign is now in active mode and led by Tri-Chairs Henrietta Gates, Caroline Hovey, and JJ Bell. As of this dispatch, the campaign has $18 million committed to the target of $20 million. If you should receive a phone call from one of the Tri-Chairs – be generous! Or you can reach out to Pat Layman, Director of Development, at patlayman@capeannmuseum.org, and discuss a contribution.
Architectural rendering of renovated 20th and 21st century art gallery to be known as the James Gallery after construction. Courtesy designLAB & Cape Ann Museum.
Future CAM Exhibits
Umberto Romano
October 11 – December 29, 2024
CAM Green
The first interim exhibition at the Janet & William Ellery James Center at CAM Green campus will feature the work of Umberto Romano (1905-1982), The artist was part of an early group of more progressive men and women artists working on Cape Ann. He was also a revered instructor and in 1938 he opened the Romano School of Art on Ledge Road in East Gloucester.
Milton Avery, Mark Rothko, and Adolph Gottlieb
Summer 2026
CAM Pleasant Street, reopened
Looking to 2026, the first exhibition in the new galleries will feature loans from the National Gallery of Arts in Washington D.C., with works that focus on the role Cape Ann played in the lives of 20th century artists Milton Avery (1885–1965), Mark Rothko (1903-1970), and Adolph Gottlieb (1903–1974).
AUGUST 2024
Fireside Chats Launch at Peabody Essex Museum
Building on the trend to audio and video communications, PEM has launched a new Fireside Chat series with Executive Director Lynda Roscoe Hartigan, engaging an invited guest for a conversation. And her first guest could not have been more consequential to PEM’s future, and that was Jennifer Borggaard, the museum’s new Chair of the Board of Trustees. For those unfamiliar with a non-profit organization, the Board Chair and the Executive Director represent the nexus of power, with one signing off on the organization’s plans and funding, and the other executing on the plan.
The objectives of their conversation were “to discuss women in leadership, the nature of curiosity and the changing face of PEM as a beloved local institution, and it began with this exchange:
Lynda: This feels like a momentous moment. You're taking on this new role as the chair of our board. What's got you excited about stepping into this role?
Jen: I feel like the museum's at such a great place right now. We, as a group, have come out of the pandemic and are poised to take advantage of people's need to reconnect in real spaces. The museum is a place that really fosters that and encourages that. I'm looking forward to how we as a museum can help people reengage. I'm excited about the next phase of growth for the museum in that way.
Lynda: You mentioned growth, and we just happen to have a strategic plan that is called PEM FORWARD. The plan has just been approved. What aspects are you most excited about?
Jen: I'm so proud of the work that was done to get to this place with this strategic plan. It was a lot of hard work and a lot of deep thinking on what makes PEM what it is and what makes it special.
To hear their entire conversation which is housed on YouTube: Fireside Chats with Lynda Roscoe Hartigan - Episode 1 (youtube.com).
AUGUST 2024
Donald Palma, Music Director and Conductor, Symphony by the Sea.
Symphony by the Sea 2024–2025 Season
One of our local musical treasures, the Symphony by the Sea (SBS), has announced their upcoming season of four concerts, to commence on November 17 with “Opera by the Sea”, and a selection drawn from the operatic composers: Mozart, Rossini, Verdi, Mascagni, and Puccini. The SBS concerts always include superb guest artists, with this one featuring two young voices described as extraordinary, Megan Hull, soprano, and Min Sun Im, tenor.
The SBS Music Director and Conductor is Brian Palma, maintains a busy schedule of conducting, performing, and teaching throughout the northeastern United States and the world. LINK TO BIO The orchestra performs at The Cabot in Beverly, typically on Sunday afternoons. $180 for the season subscription includes four concert tickets and one guest ticket. For the entire schedule: Symphony by the Sea LINK. Symphony by the Sea – SBS
Casey Soward bids farewell to the Cabot Theater, after enriching the venue and its programs. Well done!
AUGUST 2024
Casey Moves On
Executive Director Casey Soward, the supreme and cool leader of The Cabot theater in Beverly since 2015, has announced he is stepping down, effective October 14th. According to a Cabot insider, the news was a surprise to the organization. But, given the status of Casey’s next gig, it should be no surprise that he has accepted the position of President & CEO of the Boch Center in Boston, one of the largest, most prestigious performance centers in New England. He will be catering to a new level of star power and theater size. In the pending season, Casey’s backstage pass will have him mingling with Kevin Hart, Alvin Ailey Dance Theater, Boy George, Smoky Robinson.
Casey will leave a legacy at The Cabot, especially for the completion of more than $8 million in capital improvements to the theater, preserving its exquisite historic architecture. As he makes his exit stage right, Casey has likely booked his final tribute band. The search for Cabot’s next leader is underway, as one of the North Shore’s most plum entertainment management jobs is now open.
Lynda Roscoe Hartigan and Jennifer Borggaard. Photo by Kathy Tarantola/PEM.
AUGUST 2024
Jennifer M. Borggaard, New Chair of the Board of Trustees, Peabody Essex Museum
New Board Chair Jennifer M. Borggaard began her term on July 1, 2024, succeeding Stuart W. Pratt and his 40 years of service to PEM. With her election, this is the first time since the Museum’s founding in 1799 that women hold the executive director and board chair positions. Prior to her election, Borggaard served as Secretary and Chair of the Governance Committee. Her new charter will be collaborating with Executive Director and CEO, Lynda Roscoe Hartigan to help enact the ambitious PEM FORWARD strategic plan that will define the museum’s impact over the next five years.
Borggaard brings impressive credentials to the custody and growth of PEM’s future. As a co-founder and partner of AlderBrook Advisors, she is an accomplished financial services executive and board member with global experience guiding boutique asset management companies. Her experience also includes boards of several for-profit and not-for-profit organizations, providing guidance on diverse business issues, including strategy, crisis management, C-suite succession planning, governance, finance, and compliance. Borggaard has been on PEM’s Board of Trustees since 2018 and has been a member of the Finance Committee since 2012, serving as its committee chair from 2018–2022.
To those unfamiliar with the PEM budget and magnitude of fiduciary responsibility under Borggaard’s control, this public information is available at: Peabody Essex Museum Inc - Nonprofit Explorer - ProPublica.
The ProPublica site reports 2023 PEM Revenues: $40,068,782 with a 2023 Net income loss: ($2,725,875). For comparison with the prior year: 2022 PEM Revenues: $46,598,618 and 2022 Net income: $1,499,050. Based on the ProPublica statement, the decrease in net income between 2022 and 2023 appears to be due to the sale of assets. Financial contributions n 2023 doubled those received in 2022.
AUGUST 2024
Center for Maine Contemporary Art Announces Robert Wolterstorff as Executive Director
Robert Wolterstorff. Courtesy of CMCA.
One might not expect that the rustic state of Maine, with Wyeth and other representational influences, would champion contemporary art. Wrong. The Center for Maine Contemporary Art (CMCA) operates in a spacious and very modern facility located in Rockland Maine, about the midpoint between Portland and Bar Harbor. Center for Maine Contemporary Art | Advancing contemporary art in Maine through exhibitions and educational programs (cmcanow.org)
The museum has recently announced the appointment of Robert Wolterstorff as their new Executive Director, to “spearhead organizational direction, fundraising initiatives, community engagement, and exhibition planning and programming.”
Assuming his role on July 20, Wolterstorff comments, "Returning to Maine holds a special significance for me, having frequented the mid-coast region for more than three decades. Witnessing CMCA's evolution from its days in Rockport to its relocation to Rockland and the unveiling of its stunning new building, has been truly inspiring to me. The museum's rebranding to reflect its commitment to showcasing contemporary art from across the state is a testament to its progressive vision.”
Following a national search conducted by Arts Consulting Group, Wolterstorff joins CMCA from the Bruce Museum in Greenwich, Connecticut, where he served as The Susan E. Lynch Executive Director and Chief Executive Officer from 2019 to 2024. Wolterstorff holds a Master of Fine Arts and a PhD in art history from Princeton University, a master’s degree in art history from Williams College, and a bachelor’s degree in biology from Calvin College in Grand Rapids, Michigan.
JULY 2024
Youth Photography Exhibit
Are you a young person, under 18, that likes to go out on walks or adventures with your camera and take photographs? If so, the Marblehead Arts Association would like to exhibit your photographic work.
The Marblehead Arts Association is excited to announce its first Open Youth Photography Art Exhibit. The exhibit will be September 28 – November 3, 2024 in the Cushman Gallery at the Marblehead Arts Association, 8 Hooper St, Marblehead, MA. An Opening Reception will be on Sunday September 29th from 2-4 PM.
There is no Theme to this exhibit, so have fun creating your own unique photographic artwork to submit for this exhibit.
The photographs must be the work of the maker and must be made using a light capture process either with film or digital capture. Alternate processes like cyanotype are also acceptable. Any manipulation or editing of the image must be done by the maker. The use of AI in editing the image is not permitted. Printing of the photograph may be done by a third-party printing lab.
Take in will be on Tuesday September 24th with one submission per artist. In case we cannot hang all the submitted artwork, artists will be notified by Thursday September 26th if their work was not accepted. Non-accepted artwork will need to be picked up by Sunday September 29th.
All work must be wired to hang and no larger than 16x20” and weigh less than 15lbs.
If your art work is “For Sale”, please list the price on the registration form.
If you have any questions, please contact either Larry Dunn, ldunnvt@gmail.com, or Xhazzie Kindle, xhazzie@marbleheadarts.org.
Deadline for online registration is Monday, September 23rd, 5:00 PM. Work must be dropped off no later than September 24th, 8:00 PM. Register online here: marbleheadarts.org.
JUNE 2024
Rockport Music announces the 2024-2025 season of concerts
Rockport Music is thrilled to announce a lineup of remarkable talent for its 2024-25 season.
The classical season, curated by Artistic Director Barry Shiffman, will feature world-class vocal performance, fan favorite orchestral compositions and music from a broad range of cultures. The first concert will come courtesy of violist Ettore Causa and pianist Boris Berman in October, followed by legendary vocal quintet Amarcord. Closing out the year mid-December will be Handel & Haydn Society's special chamber arrangement of Messiah, a cherished holiday tradition. Then, the "fresh and full-blooded" (Washington Post) Musicians From Marlboro will take the stage in February, followed by Orpheus with Jason Vieaux and the Martin Fröst Trio in March.
The season's non-classical offerings are as diverse as they are prolific. Jazz programming includes performances by hyper-versatile vocalist Veronica Swift, five-time Grammy-nominated pianist Christian Sands and Somi, whose musicality traverses the cultural bridge between Africa and America. On the folk, pop and global side of things, the calendar is highlighted by acts such as two-time Grammy winner Rickie Lee Jones, roots-rock trailblazer Steve Forbert, an Irish solstice celebration courtesy of folk supergroup Lúnasa, folk icon Livingston Taylor and leading Irish ensemble Danú.
Rockport Music's culture-crossing Global Journeys Series, curated by cellist Mike Block, will also continue with performances from artists such as the Arun Ramamurthy Trio, which fuses South Indian Carnatic music with contemporary jazz, and the American Patchwork Quartet, which lives up to its name by combining jazz sophistication, country twang, West African hypnotics and East Asian ornamentation.
The Rockport Music Education and Community Engagement program, which presents numerous concerts and talks to the community at little or no cost, will also continue its mission making music more accessible to students in local schools. This season's performances come courtesy of the Castle of our Skins Inter-Collegiate Black Student Union Fellowship, Rockport Music's newly-founded Cape Ann Youth Chorus, Race and Song: A Musical Conversation, the multi-sensory Ocean Music Action project and more.
Ticket sales open to the general public on Tuesday, July 30. This includes both single tickets and subscriptions, which provide a 10% discount upon the purchase of tickets to four or more concerts.
All performances are held at Rockport Music's Shalin Liu Performance Center at 37 Main Street, Rockport, MA 01966. Visit our website at rockportmusic.org for the full schedule and more details. The Box Office is open Tuesday-Friday, 10am-4pm at 978.546.7391.
MAY 2024
Gordon Massman Relocates to the Gloucester Harbor
Those who attended Gordon’s Open Studio event in Rockport are aware of the immense scale of his paintings. Well, it finally happened – he needed more space. And the perfect space happened right behind Oak & Ember Restaurant, on the harbor in the heart of Gloucester. Gordon’s entire operation and inventory relocated in one week, and he is now blissfully painting away in the rear part of the space, with dock and view of the ocean. Painting dimensions remain immense. This summer Lab Central in Cambridge Massachusetts will be exhibiting 12-14 of his works, on three floors, with the impetus to give the scientists in the building a visual splash, to help think new things!
May 2024
New Team Members at Marblehead Arts Association
Joining the staff of this wonderful art destination in Marblehead, Lisa Boemer will serve as Director of Development and Amy Bedell as the Gallery & Shop Manager. The MAA is in a growth phase, with 17 new artist members and expansion to include a more diverse audience. Per Xhazzie Kindle, Director of Operations, “Lisa is well-known on the Northshore as a practicing artist and instructor. She is the right person to expand on our offerings of programming and community-based education such as our monthly jazz concerts.” Amy Bedell, new manager of the MAA retail shop, is a fiber artist and will be “collaborating with local creators to expand our inventory of one-of a-kind creations. From hand-poured candles to glass infused bowls, hand-thrown pottery, and more.”
MAY 2024
June Pride Month at Hammond Castle Museum
In conjunction with 2024 June Pride Month, the curators at Hammond Castle Museum are putting on a major series of talks and exhibitions, a first for the organization. This acknowledgement of the queer community is also a formal recognition that the original owner of Hammond Castle and his friends were of the community, as it was known to exist in their historical framework. This identification is not news to the residents of Gloucester and to the cultural community who have long embraced these highly creative residents.
A sample of the planned events include the May 28 lecture: Lotta Dames, No Horses-The Life, Death, and Legacy of John Latouche, Presented by: Caleb McMurphy, Director of Visitor Services and Education, Hammond Castle Museum.
An exhibition will run May 31-June 6, titled The Innocents at Home: Harry Martin and John Latouche. The description includes: “Harry Joseph Martin Jr. (b.1927 - d.1984) may not have been the most famous of the many gay men who came to Hammond Castle Museum during John Hays Hammond Jr.'s lifetime, but he was certainly one of the most significant. Described as “a poet, artist, raconteur, and teacher,” Martin first visited the Museum in 1950 as the young lover of Hammond’s friend, the magnetic Broadway librettist John Latouche, and the couple stayed for a summer in Gloucester, first as guests of the Hammonds and later in a cottage near Wingaersheek beach.”
For complete listings of June Pride Month at Hammond Castle Museum: COSMOS Culture Calendar.
MAY 2024
Cape Ann Plein Air 2024
The Events Judge, Lori Putnam, and the 35 artists are now selected for CAPA ANN PLEIN AIR 2024, one of the regions most prolific weeks of art creation, collection, and celebration.
COSMOS recently met with Mike Storella, President of the CAPA Executive Committee, and learned more about CAPA week, October 5-13. This year, rather than a Saturday night GALA, the completed works will be put on display and for sale on Friday night at the Preview Party, to be held at the North Shore Arts Association. The works will be available through the weekend, offering collectors more time to make their decisions. The selected artists include some local names: Susan Lynn, Vanessa Michalak, Valerie Craig, and Jeffrey Marshall in the run up to October, CAPA is sponsoring a program Palate to Palette at restaurants, where artists paint while diners have the experience of watching a painting come into focus.
APRIL 2024
M/N Gallery Opens on Pleasant Street, Gloucester
Two artists, Vanessa Michalak and Rebecca Nagle, have combined energy and talent to open the M/N Gallery of Contemporary Art, on Pleasant Street, Gloucester. The gallery is located near Cape Ann Museum, the Charles Fine Arts Gallery, and the Matthew Swift Gallery, intensifying this neighborhood as an art destination in Gloucester. Rebecca was once a professional figure skater, and after discovering her inner artist went back to school and completed a degree with Montserrat College of Art. Vanessa is a professional nurse but increasingly spends her time in the art studio. As one of the selected artists for CAPA 2024, it will be fascinating to see her contemporary take on the region’s scenic vistas. The M/N Gallery will also show other artists’ work. See the COSMOS Culture Calendar for future listings.
MARCH 2024
Charles Guiliani on Cape Ann Museum’s 2024 Season
Charles Guiliani, a long-time art journalist and observer of the culture scene, has posted a commentary on the Cape Ann Museum 2024 Season, with his concerns about the thin season ahead, and one in contrast to the Hopper splash of 2023. Charles’ opinion piece begins: “In 2023 the venerable seaport celebrated Gloucester 400th Plus. Cape Ann was overrun with tourism. There was a lot to see and do, inducing traffic jams with crowded restaurants.
The Cape Ann Museum was the focus of national media coverage. A major exhibition, the first dedicated to Hopper’s formative development on Cape Ann, marked the pivotal summer of 1923 when Edward Hopper and his future wife, Josephine “Jo” Nivison, visited Gloucester Edward Hopper & Cape Ann. It opened on Hopper’s birthday, July 22, 2023, and ran through October 16, 2023. It was presented in collaboration with the Whitney Museum of American Art, the major repository of the Hoppers’ work.”
But Charles then goes on to lament the lack of traction gained from the Hopper exhibit: “Following that burst of attention the museum slid back under the radar as an interesting but all too modest regional museum.”
To read Charles’ entire piece: Cape Ann Museum 2024 - Charles Giuliano - Berkshire Fine Arts
MARCH 2024
Brian Pellinen named President of Montserrat College of Art
Congratulations to Brian Pellinen, named as the 8th President of Montserrat College of Art, after the search committee realized they had the right person serving as Interim President. He replaces Kurt T. Steinberg who moved to Peabody Essex Museum as Chief of Operations. Per Trustee Chair Mercedes Sherrod Evans for “Brian has shown his effectiveness as a leader during the past year through his careful attention to the student-centered mission of Montserrat, his receipt of a $2.1 million federal grant, his push to launch new degree programs and opportunities for adult-learners, and his relentless community-wide efforts to raise the profile of Montserrat.”
In accepting the role President Pellinen said. “I first started at Montserrat in 2005; I immediately fell in love with the incredibly creative students, the small, personalized education model that allows for students to be themselves and find themselves, and the way faculty and staff pull together to help ensure our graduates find success. It is an absolute honor to be able to lead this college into its bright future. I’m grateful to the community that put its trust in me. Montserrat is transformative to the people who study and work here and transformative to the City of Beverly. I’m excited to launch the college into its next chapter and see how our future graduates will shape their world.”
An accomplished higher education administrator, he has served in academic leadership positions for 30 years. President Pellinen served as Academic Dean of Montserrat since 2017 and before that, as Associate Dean from 2005 to 2009 having also worked as the Academic Dean of Professional Studies at Endicott College, Vice President of Academic Affairs at Nashua Community College, and Chair of Language and Letters at Northern New Mexico College. He has also been a teaching faculty member at several of his prior institutions.
He holds a master’s degree from the York University, in Toronto, Ontario and a Bachelor of Arts in English from the University of Minnesota, Minneapolis. Pellinen is also an active visual artist and writer with recent shows in Massachusetts and theater performances produced in Washington DC’s Fringe Festival.